![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjLVaVvylT2pFLqbl-KHgTdYHqLbmLSgomUtRxNUx-b3WOXA0Aorf9pmI5I9s_oXzUlBzNZLLDSBLOqA9vpxsq25jMlkrW5Cz8iuo_jh-Kz9V1Fbh84TgwU7pSd_l5UtQE2b7lx2s5l1g/s320/imagesCAE1U16D.jpg)
"The Assumption of the Virgin" by Poussin located in the Louvre, Paris.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKpPuCGTlr-Y-U1tugrcymahuHQGNHrJbFfxMunUm9vKAaxYaWoU2H_ZWWYbGYmVuzY2nK2DVN78ZXntYvn7QKD3b4B5TsXRwZFvTxb5zMV7wqtlnVmV_udHoLX1ITFV1yjlk1M_eZVio/s320/5_--42738.jpg)
ARQUA collage with the Poussin pigments and his signatures.
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"The Death of the Virgin" 1623 by Nicolas Poussin located at a church in Brussels. The pigments have been analyzed and are the same as were used in the two little paintings of Gasc including Poussin`s special red and the expensive ultramarine blue made with lapis lazuli.
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